“R” stands for resolution, and the new Sony a7R IV pushes that spec further than ever before for the Alpha series, with its 61-megapixel back-illuminated sensor. That’s massive resolution for a full-frame camera, but there’s more. For still subjects like architecture or even landscapes in calm weather, the a7R IV offers a Pixel Shift Multi Shooting mode that takes up to 16 full-resolution images, moving the sensor in 1- or one-half-pixel increments between exposures, which can then be composited into an incredibly-detailed 240-megapixel final image using Sony’s Imaging Edge desktop software... Read More
Our August 2019 issue of Outdoor Photographer gets you ready for summer photo adventures with tips for shooting outdoor sports like mountain biking, taking a once-in-a-lifetime photo safari in Africa and chasing monsoon storms in the American Southwest for incredibly dramatic images... Read More
Last week, I decided to let one of my favorite and most underrated lenses get some quality time on my camera while exploring a new national forest (well, it was new to me). Lately, I’ve been falling back onto the safety of my wide-angle lenses and I began feeling creatively stifled. So, it was time to break out something different. The lens I’m referring to is the Zeiss Batis 2.8/135, mounted to my Sony a7R III. I’d wager that a 135mm prime lens wouldn’t be the first lens choice for a landscape photographer, but I was determined to make a go of it and I’m very thankful that I did... Read More
When Canon released its first full-frame mirrorless camera, the EOS R, last fall, it launched the camera along with four lenses designed for the system, which included two primes (35mm and 50mm) and two zooms (28-70mm and 24-105mm). In May of this year, Canon added an 85mm prime to the RF lens lineup. Now Canon has announced the RF 24-240mm F4-6.3 IS USM, a 10x zoom that will retail for $899 in September... Read More
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